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Jingdong book

美国摄影用光教程(第5版)

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1.本书无论在作者的知名度上,还是在内容的理论体系、作品的精彩程度上,在摄影用光类图书中都可谓*屈一指,很多专业摄影师都是它的拥趸,受到摄影艺术院校师生的青睐。
2.不管数码相机有多么智能,如果想要拍出精彩的照片,你仍需要绞尽脑汁地考虑如何用光。付出一些精力学好用光是值得的——没有其他的技巧能够像用光技巧一样让你如此迅速地提升摄影水平。
3. 本书以富于实效的案例和说明,为您*面提供有关光线特性和用光原则的理论。书中既有照片、示意图,也有一步步的详细说明,适用于不同层次的摄影师。
4. 通过学习本书,你将能够:
理解与摄影直接相关的光线特性,以及如何活用这些特性来指导和优化拍摄;
学会对拍摄对象和场景进行识别和判断,选择和安排适用的光位设置来完成拍摄;
掌握拍摄静物、肖像等多种题材的用光技巧,并针对经典难题(拍摄金属和玻璃制品等)给出了完整、多样的解决方案;
轻松应对* 端情形下的恶劣光线条件,以及通过改善光源质量和后期处理来解决遇到的用光问题。
5.新版本包括:
*新章节“建立第 一个摄影棚”
经过修订和扩充的第8章“表现人物”
超过100张新照片和信息栏
更新了有关闪光灯、LED灯板和荧光灯的*新信息
Content Description

本书以丰富的案例和实践指导,为读者*面提供了有关光线的特性和用光原则的理论。书中包含大量精彩作品和布光示意图,并加以详细地步骤指导。对于如何为那些较为困难的被摄体——如各种性质的表面、金属体、玻璃制品、液体、* 端情形(黑对黑和白对白)、人像等——进行用光,本书也提供了*方位的指导。
新版本增加了*新章节“建立你的新工作室”,重新修订并扩充的第8章“表现人物”,超过100幅新照片和信息栏,更新了有关闪光灯、LED灯板和荧光灯的新近信息等新内容。
本书适合专业摄影师以及摄影爱好者阅读,也可作为摄影艺术专业课程的教材。
Author Description

Fil Hunter,是一位备受尊敬的商业摄影师,专门为广告和杂志插图拍摄静物和特效照片。在超过30 年的职业生涯中,他的客户包括美国在线(America Online,AOL)、美国新闻(US News),《时代出版社生活》(Time-Life Books),《生活杂志》(Life Magazine,27 次封面)、美国国家科学基金会(National Science Foundation)和美国国家地理杂志(National Geographic)。他也在大学里教授摄影课程,并为许多摄影出版物担任技术顾问。Hunter 先生曾三次赢得“弗吉尼亚专业摄影师大奖”。

Steven Biver,作为一名专业商业摄影师拥有超过20 年的从业经验,他专攻肖像、静物、摄影蒙太奇和数字制作。他的客户包括强生公司(Johnson & Johnson)、美国农业部(USDA)、威廉和玛丽学院(William & Mary College)、康泰纳仕集团(Condé Nast)和IBM。他曾荣获Communication Arts、Graphis、HOW 杂志和Adobe 公司的诸多奖项,Adobe 公司将他的作品纳入Photoshop 附赠光盘,以激励其他摄影师。他也是《人像摄影艺术》的合著者,这是由Focal Press 出版社出版的另一本图书。

Paul Fuqua,作为一名杂志摄影师和野生动物摄影师已经超过35年。他在1970 成立了自己的制作公司,致力于利用视觉材料进行教学。他在法律、公共安*、历史、科学和环境等不同领域都编写并制作了教育和培训材料。在过去的十年里,他已经摄制了关于处理自然科学和*球栖息地管理需要的教学材料。Paul 也是Focal Press 出版社出版的《人像摄影艺术》的合著者。
Catalogue

第1章 光线:摄影之始
用光是摄影的语言...............................11
何为用光“原理”...............................11
原理的重要性.................................13
本书如何选择图例...............................13
需要这些训练吗................................13
需要何种类型的照相机.............................14
注意事项...................................14
需要哪些用光设备...............................16
还需了解什么.................................17
本书的奇妙之处................................17
第2章 光:摄影的原料
什么是光...................................19
摄影师如何描述光线..............................22
亮度.....................................22
色彩.....................................22
对比度....................................23
光与用光...................................25
被摄体如何影响用光..............................26
光的透射...................................26
直接透射和漫透射...............................28
光的吸收...................................29
光的反射...................................29
第3章 反射与角度的控制
反射的类型..................................31
漫反射....................................32
平方反比定律.................................34
直接反射...................................34
角度范围...................................36
偏振反射...................................36
偏振反射还是普通的直接反射..........................40
将普通的直接反射转变为偏振反射........................40
应用原理...................................40
第4章 表现物体的表面
摄影师的处理工作...............................43
利用漫反射..................................44
光源的角度..................................44
基本规则的奏效与失效.............................47
光源的距离..................................48
克服布光难题.................................49
通过漫反射和阴影表现质感...........................52
利用直接反射.................................54
表现复杂的表面................................56
第5章 表现物体的形状和轮廓
深度暗示...................................60
透视变形...................................60
暗示深度的透视变形..............................60
控制变形...................................61
影调变化...................................62
光源的面积..................................63
大型光源与小型光源..............................63
光源的距离..................................63
光位.....................................64
侧光.....................................65
顶光.....................................65
辅助光....................................66
增加背景深度.................................67
理想的影调变化................................70
拍摄圆柱体:增加影调变化...........................70
拍摄有光泽的盒子...............................71
使用深色到中灰影调的背景...........................71
消除盒子侧面的直接反射............................73
第6章 表现金属物体
拍摄平面金属物体...............................77
表现金属物体的明暗..............................78
确定角度范围.................................78
金属物体的用光................................80
使金属物体变得明亮..............................81
怎样才算金属物体的“标准”曝光........................83
使金属物体变得深暗..............................83
巧妙的平衡..................................86
控制光源的有效面积..............................88
使金属物体与照相机成直角...........................91
拍摄金属盒..................................93
使用浅色背景.................................95
使用透明背景.................................96
使用光滑背景.................................97
拍摄球形金属物体...............................98
掩饰.....................................100
使光源远离照相机...............................100
使用小型摄影帐篷...............................100
其他用光方法.................................102
偏振镜....................................102
黑色魔法...................................102
消光剂....................................102
适用的拍摄情况................................102
第7章 表现玻璃制品
涉及的原理..................................105
面临的问题..................................105
解决方案...................................106
两种相反的用光方法..............................106
亮视场用光..................................107
暗视场用光..................................109
两种方法的最佳结合..............................112
最后的修饰..................................113
表现玻璃器皿的表面质感............................113
背景的照明..................................117
淡化水平分界线................................118
防止眩光...................................120
消除多余的反射................................120
非玻璃物体的复杂性..............................121
玻璃容器中的液体...............................121
次要的不透明物体...............................125
确认主要被摄体................................125
第8章 表现人物
单光源设置..................................127
基本设置...................................127
光源面积...................................128
表现皮肤的质感................................128
主光源的位置.................................129
关键三角区..................................130
左侧还是右侧.................................131
宽位用光或窄位用光..............................132
眼镜.....................................133
其他光源...................................133
辅助光....................................134
背景光....................................137
发型光....................................138
强聚光....................................139
轮廓光....................................141
情绪与基调..................................142
低调用光...................................142
高调用光...................................142
保持基调...................................144
深色皮肤的表现................................144
柔和的聚光照明................................145
使用彩色滤光片................................147
第9章 极端情形下的用光
特性曲线...................................149
完美的曲线..................................150
糟糕的照相机.................................151
曝光过度...................................151
曝光不足...................................152
两种特殊拍摄对象...............................155
白色对白色..................................155
“白色对白色”场景的曝光...........................155
“白色对白色”场景的用光...........................156
被摄体与背景.................................156
使用不透明的白色背景.............................157
使用半透明的白色背景.............................160
用镜子做背景.................................161
无论何时确保背景的小型化...........................162
黑色对黑色..................................162
“黑色对黑色”场景的曝光...........................162
“黑色对黑色”场景的用光...........................163
被摄体和背景.................................163
使用不透明的黑色背景.............................164
使用光滑的黑色表面..............................165
使被摄体远离背景...............................166
直方图....................................166
预防问题...................................167
过度处理...................................168
曲线.....................................168
新的原理...................................169
第10章 移动光源
外景摄影灯具.................................171
重型便携式闪光灯...............................171
轻型热靴闪光灯................................172
LED灯板................................... 172
获得正确曝光.................................172
由闪光灯自行决定曝光.............................173
使用闪光测光表................................173
测光表和LED灯板............................... 173
获得更多光线.................................173
多灯或联动闪光................................174
电池盒....................................174
闪光聚光镜..................................174
改善光源质量.................................175
问题.....................................175
离机闪光...................................175
通过反射闪光软化光质.............................176
价廉物美的全反射柔光罩............................177
“熊猫眼”..................................177
羽化光线...................................178
消灭阴影...................................179
不同色彩的光源................................180
光源的色彩为什么重要.............................180
非标准光源..................................180
混合光源与非混合光源.............................181
校正偏色...................................183
不同时长的光源................................185
其他处理方法.................................185
其他装备...................................188
第11章 建立第一个摄影棚
灯具:首要问题................................192
购置合适的影室灯...............................192
购置何种灯具.................................192
需要多少灯具.................................193
灯具支架...................................194
吊杆.....................................194
需要何种用光附件...............................194
柔光设备...................................195
反光板....................................196
束光筒和蜂巢板................................196
挡光板和旗形挡光板..............................196
背景.....................................196
电脑及相关设备................................197
其他设备...................................198
寻找合适的空间................................198
版权声明...................................200
内容简介...................................200

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Jingdong book